Is the art important to art sponsorship? | Nicole Newman
Nicole Newman
Nicole Newman, our 2017 masterclass expert, argues that the art itself is the least important part of a sponsorship deal.
As fundraisers, we are often accused of “dumbing down” the art we are selling.
Of not fully articulating the intellectual or aesthetic nuances of the work.
Of lacking in-depth knowledge of the subject we are selling.
Otherwise, why aren’t supporters lining up to shower us with money? We’re obviously just not selling it properly!
This attitude is not only insulting, but naive – and unfortunately all too common.
Irrespective of the quality of the work, without the right context for the art, sponsors will not engage.
I would argue that, for corporate sponsors, the art itself – the performance, exhibition or commission – is the least important element of a sponsorship offer.
By focusing directly on artistic content in your sales strategies, you will almost certainly fail.
But by developing a commercial business strategy for your organisation and identifying a few key elements as sponsorship assets, you will be able to tap directly into current sponsorship trends.
Sponsors want your audience, not your art.
They need innovative new ways of reaching audiences and maintaining customer loyalty. But ‘traditional’ benefits like branding and events are no longer exciting.
Working collaboratively to develop new digital technologies to understand audiences, and providing sponsors with exclusive content to enhance their social media platforms, has proved successful in other sectors.
For example, IBM’s support of Wimbledon provides technology that offers extraordinary insight into customer behaviour.
They are more interested in the environment than the culture.
If your overall audience experience is lacking, sponsors will be put off. This can be as simple as the venue you use being fit for purpose: decent catering, working loos and entertainment spaces.
But equally it can mean the type of audience who attends. Are they successful, wealthy, well dressed? Is there a smattering of well-known faces, or local dignitaries?
Trivial though this seems, advocacy is an attractive benefit for sponsors and showing you can attract the right people is vital.
They need impact not output.
Not just education or outreach programmes but communication strategies that explain who you are and what value you provide.
Increasingly, social impact is a core motivation for sponsors whose budgets are under greater scrutiny.
Showing impact beyond the cultural sector is essential if you are to compete with other emotionally compelling causes.
English National Ballet’s Dance for Parkinson’s project is a superb example of how an “elite” art form has been used to develop vital research into health and wellbeing.
“Art for art’s sake” is no longer a fashionable mantra. Art needs to work much harder to justify support from businesses in a challenging climate.
But am I playing devil’s advocate. Without great art, we would be a much poorer society. Producing quality art is essential to success.
It is the bricks and mortar that make you who you are. But, like any welcoming home, the décor and furniture is just as important.
_____________________
Nicole Newman is presenting our 2017 masterclasses in Melbourne, Sydney, Adelaide, Brisbane and Perth in March. These events are sold out but we’ll be publishing more of Nicole’s insights right here. Stay tuned. Learn more about our professional development opportunities and how we can support you.
